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Chapter 7 Contents
 

7.1 Exercise

Create a number of string clusters ranging from two to five notes in a variety of ranges.  Also create an expanding cluster starting with two notes and adding a note every two measures.  Then add glissandos to two of them.  Discuss who they might work in a scene and what type of imagery would they support.  Now change the sound patches from strings to electronic patches that are not orchestral in nature.  How could they now function in a scene?

 

 

7.1–7.12  Example Film Cues that Employ Micropolyphony

Some of the following film cues clearly exemplify the technique of micropolyphony, while others are more subtle and may only use the device sparingly and/or in the context of other music.

2001: A Space Odyssey | Directed by Stanley Kubrick | 1968

Composer:  György Ligeti

The Shining | Directed by Stanley Kubrick | 1980

Composer: Krzysztof Penderecki

The Shining | Directed by Stanley Kubrick | 1980

Composer: Krzysztof Penderecki

There Will be Blood | Directed by Paul Thomas Anderson | 2007

Composer: Jonny Greenwood

Alien | Directed by Ridley Scott | 1979

Composer:  Jerry Goldsmith

The Abyss | Directed by James Cameron | 1989

Composer:  Alan Silvestri

Aliens | Directed by James Cameron | 1986

Composer:  James Horner

Born on the Fourth of July | Directed by Oliver Stone | 1989

Composer:  John Williams

Se7en | Directed by David Fincher | 1995

Composer:  Howard Shore

Aliens | Directed by James Cameron | 1986

Composer:  James Horner

The Untouchables | Directed by Brian De Palma | 1987

Composer:  Ennio Morricone

Aliens | Directed by James Cameron | 1986

Composer:  James Horner

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